| VW
LOGO |
| I
created this tutorial from
looking at the Volkswagon
Logo on the home page of VW |
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So, have you ever
been watching TV and for some unknown
reason the thought comes to you to
recreate a logo. Well, god only knows
how many logos I see in the course
of the day but it just happened that
the Volkswagon logo caught my eye
on TV today. It looked easy enough
so I decided to recreate it. Of course
this isn't perfect mind you - I don't
have a whole lot of time to disect
a logo and find the perfect font and
all that but I think its pretty close
and it looks cool - isn't that all
that counts?
A note before you begin: This tutorial
was created for Photoshop 6 although
most steps should work fine in version
5. Notice to Mac users: I use keyboard
shortcuts extensively and am on the
windows platform. Your shortcuts will
differ slightly Ctrl = Command, Alt
= Option and right-click = Control
+ click.
Step one:
Let start with a blank image that
is 250 px x 250px. The VERY first
thing I always do is to double click
on the background layer to bring up
the layer properties box. It should
have "Layer 0" already specified as
the name so just click OK to make
that a real layer. Now, lets create
a new layer (Ctrl + Shift + Alt +
N) Next, select the circular marquee
tool ("M") and create a circle that
is 150 pixels wide. Don't forget to
hold down Shift to constrain the selection
to a perfect circle and make sure
you have your info pallette visible
so you can see how big the circle
is. You should now have something
similar to my picture.
Step two:
Next, set your foreground color to
RGB (117,157,205) and your background
color to RGB (0,51,102). Select the
gradient tool ("G") and switch to
the radial gradient ( ). Make sure you have foreground
to background selected as your gradient
type. Now draw a line from the top
left to the bottom right of your circle.
Yours should look similar to what
I have here.
Step
three:
OK, we're under way now. As you can
see we have made a sphere that looks
like it has this light blue highlight
in the top left area. Why don't we
go ahead and acentuate that highlight
a little for some added reality. Select
your airbrush tool ("J" - that one
always confuses me - what the heck
does J have in common with airbrush??).
Set your Pressure setting down to
like 7% or so, select a 20-some pixel
soft edge brush ( ), and set your foreground color
to white. Now paint a few dots in
the brightest blue area to make it
look like there is a bright highlight
there. Should look similar to this.
Step
four:
Ok, we're done with the sphere. Now
lets spice it up. First, select the
sphere (ctrl + click on the layer).
That will bring up the marching ants
circle that we started with. Next,
create a new layer (Ctrl+shift+alt
+ N). We want to make that marching
ants selection an outline so go to
Edit -> Stroke. Enter 6 pixels
for width and click on the color swatch.
Select RGB (153, 153, 153) for the
color and make sure the center is
selected as the location. Click OK
and now you have a grey outline around
the sphere.
Step
five:
Now, before we go any further
lets add some guides to help us later
on. First, go to View -> Show Rulers.
Also, under View make sure that "Snap"
is checked. Then select the grey outline
layer. Next, position your cursor
in the left hand side of your image
in the ruler area, click and drag
out a verticle guide. As your dragging
and you near your image you will notice
that the guide snaps to the edge of
your grey outline. Go ahead and drag
out another so you have two verticle
guides - one on the left edge and
one on the right. Now do the same
thing from the top. Position your
cursor in the top ruler area and drag
down two guides for the top and bottom
edges. Finally we want to find the
center of the circle. The failsafe
way to do this is to hit Ctrl + T
- this brings up free transform. You'll
notice that you see a point in the
middle of the circle. This is the
exact center point. Now all you need
to do is drag a guide from the left
and one from the top. As you approach
the center you'll notice that the
guides snap to that center point.
Neat huh?
Step six:
OK, now that we have the center
we can create the inner white circle.
First, create a new layer (Ctrl +
Alt + Shift + N). Then select your
elliptical marquee tool ("M") - place
the crosshairs at the center point
of your circle (where the two guides
intersect) and draw a circle that
is 110 pixels wide. You want to draw
the circle from the inside out so
hold down Alt - you also want a perfect
circle so be sure to hold down Shift.
With the marching ants still marching
(meaning, DON'T deselect yet), go
to Edit -> Stroke. Enter 9 pixels
for the width and select white for
the color. Cool, now we have the inner
circle done.
Step seven:
Now we'll create the VW inside.
To do this, we'll create two V's and
merge them together along with some
modifications. The font I'm using
is Lucida Sans Console. It seems to
be the best match I could find. First
create one V on its own layer. Use
a 100pt font. Make sure it is white.
Now comes a tricky part. (Tip: Before
we move on you may want to zoom in
on the image so you can fine tune
it easier - I made is so the circle
takes up almost all of my screen.)Using
the move tool ("V") position the V
in toward the lower left of the inner
white circle so the bottom of the
V is touching the bottom of the white
circle. Use my picture as a guide.
Step eight:
Now the tricky part. To me, the
logo looks as if it is two V's crossed
with the inside top end of each V
extended upward. So that is what we're
going to do. But we're just going
to do this with one V - then we'll
duplicate it and flip it so we don't
have to do double the work. First,
click on your V layer. Next select
Layer ->Type->Create Work Path.
Now select the Pen tool ( ) and hold down the mouse to
bring the flyout menu up and move
down to the "Convert Point Tool" ( ). Now click on the top right
end of the V and extend it upward
until it intersects with the white
circle. You'll have to eyeball this
one a little because there is no way
to constrain your movement to stay
at the same angle as the V currently
is.
Step nine:
When you're happy with your result,
go to the Paths pallette and click
on the third button from the left
( ) to load the path as a selection.
Now go back to your layers pallette,
right click on the V layer and select
"Rasterize Layer". You should still
have the selection
that we created from the path going,
so all we have to do now select white
as your foreground color and click
Alt+Backspace to fill. Now if the
edges of the V extend out beyone the
inner white circle, go ahead and use
the eraser to touch up and erase them.
Step ten:
Next, we need to duplicate the
layer so click Ctrl + J to make a
copy of the V layer. Then on your
V Copy layer, hit Ctrl + T to bring
up free transform. Then right click
somewhere in the transform area and
you will see a menu - select Flip
Horizontal to flip the second V and
press enter. Now position the second
V similar to how you have the first
one but on the other side.
Step eleven:
Ok, we're getting there. But the
way that we have the top of the VW
just doesn't look right . So we're
going to delete the top part and insert
another whole V in there. First, merge
the two existing V layers together
(select the top V layer and hit Ctrl
+ E). Select the new layer with both
V's on it. Now select your rectangular
marquee tool and make a rectangle
similar to what I have (a). Then hit
delete to delete that area from the
layer. You should now have something
similar to the middle picture here
(b). Next, create a new type layer
and type a capital V - same settings
as before. Right click the layer and
select Rasterize Layer. Then position
it like I have in the bottom picture
(c). Finally, erase any portion of
the V that extends outside of the
white outline circle.
Step twelve:
OK, its looking pretty good but
the white parts need a little shadow
to give it a more realistic feel.
The problem is that if we apply a
shadow to any of the white layers
now, we will get undersired results
because there are several layers and
the shadows will overlap. The
way around this is to merge the layers.
First make sure your layers are in
this order from bottom to top (blue
sphere, grey outline, white outline,
two merged V layers, top V layer).
So go to your top V layer and click
Ctrl + E to merge down. Now all of
your V layers (left, right, top) should
all be in one layer. Do the same thing
one more time so the V layer merges
with the white outline layer. Now
we can apply a drop shadow to the
layer. For the settings I left everything
the default except for the distance
and the size which I took down to
3. I also bumped the opacity up to
95% because the shadow looked like
it was a little harder to me.
Step thirteen:
We're almost there. Its looking
great now but we need a little depth
and light for some added realism.
Why? Because if you look at the logo,
the light seems to be coming from
the upper left corner - we know this
because the sphere has a highlight
in that area and the shadow we just
added to the white parts seems to
have light coming from that direction.
There couldn't be a shadow if we didn't
have light. But the actual white outline
area of the VW layer and the grey
outline don't seem to be showing that
there is any light present. We can
fix this pretty easily using lighting
effects. Its under Filter -> Render
-> Lighting Effects. First select
the white outline VW layer and then
go to lighting effects. Use the settings
that I have provided here (you can
click to enlarge if you can't read
the settings). Make sure you position
your spotlight to the upper left.
You may have to play with it a little
- what your going for is to have the
top left half of the VW/white outline
area to be just white and then have
it gradually fade into a light grey.
See the finished product below to
see what I mean. Next, we need to
do the same thing for the grey outline
so select that layer and run the same
lighting effect. The only thing you
should have to change intensity down
to around 29 ish so you don't wipe
out the grey outline in the top left.
The key is to experiment with what
looks good and learn how the settings
work.
Step fourteen:
Finally for some finishing touches,
add some text on the left side and
you're done! I just expanded the canvas
size here a little more to the left.
I used a 20pt. Verdana font and added
"Drivers Wanted.". Its not exactly
the font that they used for VW but
its the closest I could find in any
decent amount of time searching.
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